Matsuri-Bayashi (Festival Song)Arr. Rudolf Dittrich, 1894Transcription donated to public domain by Tom Potter, 2007Finale for WindowsDolet Light for Finale 20072007-01-31PianoPiano118-1minor2G2F4Con allegrezza quarter1001111E541eighthup1begin-11E52116thup1continuebeginE52116thup1endendD541eighthup1beginD52116thup1continuebeginD52116thup1endend16G482quarterdown1F482quarterdown116Con 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hookG441eighthup1beginG441eighthup1end16B3162halfnaturaldown1-1116G3163halfup216E384quarterdown2E284quarterdown211A441eighthup1begin11A42116thup1continuebeginA42116thup1endendG461eighthup1beginE42116thup1endbackward hook16C482quarterdown1B382quarternaturaldown1116F3163halfup216D284quarterdown2G284quarterdown21G481quarterup1G481quarterup116C4162halfdown1116E3163halfup216C2164halfdown2G2164halfdown221MATSURI-BAYASHI
Koe kamabisushiku;
Wari-dake ni
Saki wo harawase;
Kanab? wa
Mama no *Tekona ka
*Tekomae ga,
Onna to mo mie
Otoko to mo miete;
Yasashiki ume yanagi
Iro ka wo masu no
Age-sh?ji,
Odori-yatai to
Migi hidari.
*Tekona, Tekomae:
Wortspiel (a pun).
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(Auch als Zwischenakt-Musik im Theatre gebraucht.)
Überall lautes, geräuschvolles Stimmengewirr: mit oben gespaltenem, klapperndem Bambusstab lässt man nach vornehin Platz schaffen.- Ist die Trägerin des Eisenstabes mit klirrenden Ringen, die wie eine Frau und doch wieder wie ein Man aussieht, night gar die schöne Tekona aus Mama?- Der Zartheit des Pflaumen- und Trauerweidenbaumes vor dem Hause fügt ein schönes Mädchen am erhöhten Fenster noch Farbe und Duft hinzu; dazu überall Tanzbuden, so dass man nach rechts und links hin Schönes zu sehen hat.-
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(Also played during the intervals in the theatre.)
Everywhere the loud and noisy hum of voices; with a rattling bamboo staff, split at the top, a way is cleared in front.- The girl with the iron rod with the clattering rings, who looks like a woman and yet like a man, is not she the beautiful Tekona from Mama?- A pretty girl at the raised window adds colour and fragrance to the tenderness of the plum and the weeping willow tree in front of the house; and then the dancing-stages everywhere, so that right and left there is something beautiful to see.-
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